Stumbling Toward God?

Part I
A popular thing on Facebook recently was to make a “How Well Do You Know Me?” quiz. After taking a couple of those that my friends had made, I facetiously began to wonder if I could create a quiz on which all my friends would get perfect 0′s, thus proving that no one really knows me at all. To that end, I sat down and worked out a list that quickly reached around 40 questions. (I did soften my original stance and included a few things that certain people reasonably ought to know. Heck, if you do not even bother to read the questions, you are statistically likely to get between 20-25% anyway.) Of course, the quizzes that I had seen had all been around 10-12 questions long or so, so 40 seemed a little high.

I tried to throw out the weakest of the lot and then decided to just see how many the application would let me enter. At that point, I very quickly realized that several of my questions and answers themselves were too long for the allotted input space. Yeah, screw Facebook.

But what to do with my pile of questions? It turns out that around this time my two year web hosting contract auto-renewed, forcing me to acknowledge that so far, I have not really done much of anything with my site that could not be accomplished with other free sites. The choice seemed painfully obvious: I will just program my own bloody quiz! Take that Facebook!

Now, there really is no shortage of quiz-making tools and scripts available (…for free…), but I wanted to make use of some of these features in my hosting package that I have already been paying for, and have no idea what they do. Besides, it seemed like the ability to create interactive web content might be a useful skill.Maye I could even make a Facebook app! [timoth has no plans to make a facebook app.] I already knew basic HTML or there would not be a site at all, but I spent the last few weeks learning PHP, MySQL, XML, XHTML… I kept running across references to DOM, but I patently refused to find out what that was, because I felt that I had more than enough acronyms already.

It gradually dawned on me that… how do I put it? I do not know if you have poked around on the non-blog part of my website at all, but it is, in a word, “crappy.” So crappy that I never bothered to put a link from this blog back to the “main” site and merely relied on the extra-curious to manually delete “blog” from the address in their browsers. But now with my new quiz on the way, that junky old site was simply not going to fly. So I broke out my favorite graphics program and set about designing a new look from the ground up. Could I not have just gotten a nice template for free somewhere? Of course… but where is the fun in that? I started out all “Web 2.0″ with shiny things and gradients, but quickly realized, “What? …That ain’t me.” So I pushed it in another direction. “Tattered Web 2.0″ if you will. Of course, to make a common template for all my pages, I had to add CSS to my list of things to learn. Technically, this is about the third time I have learned it, but I go so long between uses that I always have to start over completely over. So, the rest of the website is still pretty lame, but at least it looks better now (I hope*). The “music” section needs a full re-imagining, and the blog is really a separate animal entirely, but it is a start. So who wants to pay me to build them a website now? Personne?

Oh yeah, who wants to take the quiz? I whittled it down to 32 questions, which is a nice round number (in binary). I hope they are the best of the best. There is one particularlly silly question on there that I had no intention of keeping, it was merely my “filler” question as I built and tested the code, but I spent so much time with it that when I was all done I could not bare to throw it out. So see if you can pick that one out. Even if you get everything wrong, you still get to see the right answers, so it sort of doubles as a “25 Random Things” list that was also popular awhile back… with 7 bonus facts!

*My server logs indicate that a significant percentage of people view my site with Internet Explorer 6. IE6 is a bad browser that does not conform to established web standards. However, due to its popularity, webmasters have been forced to use a number of tricks and hacks to try to get it to work properly. Webmasters hate you. Norway hates you. Me, I am not really one to tell people they need to upgrade. I tried for the better part of a day to get my layout to look the same in IE6 as it does in Firefox and Safari. Eventually I decided to just make the things that did not work invisible to you. There are a number of better browsers available. If you do not care then neither will I. Now if someone is using a real browser and things still look out of whack, I definitely want to know about it. I am still new at this after all.

I was driving yesterday when a song came on the radio that my subconscious immediately recognized from back in the day and shouted, “Now we’re talkin’!” (Can your subconscious shout? Maybe I meant id. I don’t know.) Guitar, guitar, guitar aaaaand… BOOM!
Here you go way too fast
Don’t slow you’re gonna crash
You should watch – watch your step
Don’t look out you’re gonna break your neck

So shut – shut your mouth
‘Cause I’m not listening anyhow
I’ve had enough – enough of you
You know to last a lifetime through

Wait… is this an 80′s song? Nah, man, nah. Gotta be early 90′s. Really? Because it has that poppy upbeat tempo, that smooth female vocal, that glorifying a fast, irresponsible lifestyle, those ‘na nana na na na nana na na naa’s … what about this song isn’t 80′s? But it has that chugchugchugchug guitar thing that’s so 90′s going on!

Alright, who knows who this song is by? Anyone? The name I pulled out of thin air was “Jill Sobule.” This is wrong. It turns out the band in question is “The Primitives”, which I am pretty sure is a name that I never heard before, not one that I had merely forgotten. The song “Crash” was released in 1988. Damn it. BUT Another version of the song (“The ’95 Mix”) was featured on the soundtrack to Dumber and Dumber, released (counter-intuitively) in 1994. Which is likely the version that would be most familiar to anyone who happened to be in high school around that time.

Judges?

I was lying awake last night when for some reason it dawned on me that in “well known” fairy tales in our culture, the protagonists are predominantly female.

Observe:
Snow White
Cinderella
Sleeping Beauty
Little Red Riding Hood
Goldilocks and the Three Bears
The Little Mermaid
Rapunzel
The Princess and the Pea
Rumpelstiltskin
Beauty and the Beast¹

Compare With:
Jack and the Beanstalk
Pinocchio
Aladdin²
The Frog Prince³
The Boy Who Went Forth to Learn What Fear Was⁴

Neutral:
Hansel and Gretel – Obviously, one of each.
Puss in Boots – While the cat’s master was male, I think this and any other stories in which the main characters are animals fall into a seperate category and gender tends to be largely irrelevant.

¹ Depending on whether one considers the Beast to be a protagonist, in which case this would be like “Hansel and Gretel.”

² This is technically from a different culture. In fact, the only other stories which I could name from 1001 Arabian Nights (even if I do not actually know the plot) are “Ali Baba and the 40 Thieves” and around seven or so “Voyages of Sinbad.” Since all of these feature a male protagonist, I would hypothesize that that particular culture’s folklore does not contain the female dominance that I am attempting to illustrate here.

³ This story also features a female main character, (not to mention an animal) so might not rightfully belong in the “male protagonist” category.

⁴ Is this story even “well known”? I was really reaching by this point. There were some other tales that I did not include because I remember nothing about them beside the name. Whereas on the other end of the spectrum, (realizing that I am presuming a lot about my audience) I suspect that most of us could probably recount the story of “Little Red Riding Hood” start to finish right off the top of our heads.

Even ignoring the above caveats in my quick list of tales, the females outnumber males two to one. If we were to throw out anything with a footnote…. well then that is simply no contest at all.

I welcome your comments and counter examples.

Yesterday out of curiosity, I flipped my iTunes library to list in order of “play count” just to see what is at the top. I have to admit, it was a bit of an eyebrow-raiser.

The top five are: “My Country b3″ by The Purple Robe with a play count of 46. Ah, the joke that started it all. Then comes “Vertigo” by U2 with 29. Now, you have to understand that for a fair amount of time after purchasing this computer, these were actually the only two songs in the library, so it is no surprise that they would be at the top. Even so, tied with 28 each are an instrumental version of “When She Walks in the Room” by The Purple Robe and “youreagirl” by Strong Bad. How quaint. In fifth place with 25 is… yet another Purple Robe song. What a freakin’ narcisist.

Alright so, the highest ten songs in the list that I didn’t do myself (which accounted for 9 of the top 20) were:

Vertigo (Single Version) – U2
youreagirl – Strong Bad
cinematic – Cool Hand Luke
Story of Our Lives – The Echoing Green
Gone – tobymac
Everybody To The Limit – Strong Bad
Everything Is Bad For You – Map
Such Great Heights – The Postal Service
Last Nite – The Strokes
Vindicated (acoustic) – Dashboard Confessional

About this point I realized that the whole exercise was rather meaningless, because a very large percent of the staggering 391 songs in my library (yes, that is the correct number of digits) is just stuff I downloaded for free (legally) from various places, and is not a particularlly accurate reflection of my actual music tastes. For example, there are 82 songs in my “Purchased from iTunes” list, two of which I literally purchased, the other 80 being free downloads. Of those, 11 actually have a play count of 0, and 14 more have a play count of only 1. Nice.

The fact is, iTunes is simply not my prefered way to listen to music. I do not really need to download music, because I discovered a long time ago that I can almost always find what I want online, whether it be on a bands official website or myspace page, or a YouTube video (even if YouTube happens to be blocked… there are other sites). Now there is Pandora, which of course only allows you to select certain qualities, not to pick specfic songs, but I just recently discovered imeem, which does. Really the only reason to fire up iTunes at all anymore is just to listen to… my own songs. That explains that, I reckon.

I suppose if there was a point to all this (aside from the obvious amusment of “Seriously? ‘Last Nite’ by The Strokes…?”), it would be that, having recently [ahem] quit my job (in part) in order to focus on music, I have to wonder if anyone actually even buys music anymore. Oh, I don’t know… Maybe people who don’t surf the internet all day, and actually need something to put on the iPod for when they LEAVE THE HOUSE?

That, and also to point out that “youreagirl” is a fine song. If you actually know the song I’m talking about, you are going to go looking for it right now aren’t you? You know who you are. (The rest of you, it’s a bit of an inside joke. You are probably better off.)

I want to play the guitar very badly and I do play the guitar very badly.
–Bono

When I was a young man, I fell in love with a rock and roll band. It was the sort of everything-they-do-is-perfect infatuation that is usually reserved for the opposite sex… though I highly doubt I’m the only one to ever make that mistake. Kids, don’t fall in love with a rock and roll band; they are only going to break your heart.

I used to think that U2 was Bono and the Edge and those other two guys. I remember one day in high school, I was listening to the radio as I drove when the (possibly stoned) DJ announced, “Here’s the theme from Gilligan’s Island.” What followed instead was a new version of the theme from Mission: Impossible, and I thought to myself, “This sounds like U2.” If you can imagine in the days before the internet was common, when information traveled a lot more slowly, I had no idea that – not U2 – but rather Adam Clayton and Larry Mullen Jr. were redoing the theme for the forthcoming movie. And here were these two guys whom I had always overlooked, whose contribution to the band was so fundamental that without any prior knowledge, I could immediately recognize their touch even on a cover of a well know piece of music.

What can I say, I was a man obsessed back then. When did the love die? Was it when Zooropa was pretty good, but certainly no Achtung Baby? Was Passengers: Original Soundtracks 1 just a little too abstract? Was it the continual delays that finally resulted in Pop, which was still so unfinished that almost every song released as a single from that album was a whole new recording? Was it their ever rising ticket prices, for ever crappier seats? Was it a little of everything?

I suppose I have been insulting U2 like a scorned lover for some time now. Particularly their (until last week) two most recent albums. I know that I am in the minority, but I really like Pop. I’m listening to it right now in fact. I admit that some of the electronic stuff is a bit over-the-top, but I think that lyrically, it is their strongest album to date. Then a few years down the road comes All That You Can’t Leave Behind, which had a few songs with lyrics that I honestly wondered if Bono let his kids write. I do not really hate that album as much as I let on. About half of it is really quite good. It is merely the fact that only half of it is good, when I had come to expect so much more, that makes it so disappointing.

Then we had the rise of the iTunes Music store, which I believe I was one of the first to get on board with (and definitely one of the first to jump off board.) But I did take the opportunity to download “Vertigo.” This song was peculiar in the sense that it reminded me most of “11 O’Clock Tick Tock”, a single from before they even had their first album… as if the twenty five or so intervening years had never happened. Yet, it was not really that good, and for the first time, I decided to pass on the new album. Someone eventually gave it to me anyway, and on my first listen, I could not help but think, “Man, there is not a good song on this album!” Maybe “Crumbs From Your Table”… MAYBE… I listen to it several more times before I finally decided that I was just trying to hard, and that I would never give an album that much of a chance if it did not happen to say “U2″ on the cover. The problem with this album is that it is just bland. The online community seemed reluctant to criticize it, but I did read one person’s opinion somewhere that it suffered from “rank amateur mixing” and “too many producers, not enough of whom were named ‘Eno’ or ‘Lanois’.” Fair enough. Some time back I found a clip on YouTube from one of their previous tours, and one commentor mentioned about how this was when they used to be good, but now they “just play songs for your mom.” Well said.

Then they got in bed with Apple and had the U2 iPod, and The [semi-]Complete U2; and then there was the Best Of-According-To-Who-Exactly? And now we have all sorts of ‘Remastered’ this and ‘Limited Edition’ that. One might overlook the selling out if they were still putting out butt-kicking music, but to sell out while releasing boring music? Inexcusable.

FREEEEEEDOM has a scent
Like the top of a new born baby’s head!
The songs are in your eyes,
I see them when you smile.
I’ve had enough, I’m not giving up
On a miracle… A miracle drug!
–U2, “Miracle Drug”
Uhhhhhhhhhh… what?

Even so, on a good day, in a generous mood, I might be willing to admit that there are as many as four decent songs on How to Dismantle an Atomic Bomb. Yet after trying to convince myself for so long that it maybe was not so bad after all, I popped Achtung Baby in my car CD player for awhile… and yeah, they have fallen an awful long way. Even the weakest song off of that album [which after much difficult deliberation, I am going to go with "So Cruel"] will still kick the stuffing out of anything off of ATYCLB, HTDAAB, and really probably most albums by a lot of other artists one might care to mention.

U2 3D was pretty amazing though. Maybe “they’ve still got it” when it comes to live performance. You know, if you can actually see them.

It also bares mentioning that I still consider it to be my “useless superpower” to be able to recognize a U2 song in any environment. I have even been so bold as to claim that I can name any U2 song “in one note.” Which is probably not true, but I have made some modestly impressive identifications in crowded restaurants. (The sort of thing where the response is often, “I don’t even hear a song,” then after a pause to listen intently, “Oh yeah, you’re right!”)

So the new album came out last week. I was in denial for awhile. I resisted listening to the new single, “Get on Your Boots” for quite some time. When I finally did, my impression was that it was not exactly ‘bad’, but that it did seem to have “one hit wonder” written all over it, which is sad for a band with a thirty year career. “Sexy boots”? What are you talking about? I read somewhere that the song is about how men have ruined everything and it’s time to let the women take over. I happen to come from a family where I think that idea would go over quite well, but I do not buy it myself.

Anyway, I have not yet bought the new CD. Last week they were unprecedentedly the music guest on Letterman for the entire week. I missed Monday night, but Tuesday and Wednesday they played new songs, one of which was “I’ll Go Crazy If I Don’t Go Crazy Tonight” and the other I have completely forgotten. But it seems like they went from being too “Adult Contemporary” to trying to appeal to preteens. Then on Thursday they played “Beautiful Day” from two albums back. What, so after three songs they have already run out of new material? Nice.

I was thinking about all of this when it occurred to me that U2′s latest albums are not even my least favorite. You know what album I really do not like? The Unforgettable Fire. Sure, you have “Pride” and “Bad” which are classics, but can you even name another song? [A Sort of Homecoming-Pride-Wire-The Unforgettable Fire-Promenade- 4th of July-Indian Summer Sky-Bad-MLK-Elvis Presley and America.] Wow, okay… I guess I do. (Wrong order though.) Do you know any of the words then? And you hunger for the time/Time to heal/Desire time/Hmm hmm hmmmm/Hmm hmm hmmmmmm…yeah, I’m out. Well, amusing diversion aside, my point was that this album is (ironically) quite forgettable. But they followed that with The Joshua Tree which was pretty okay I guess. So maybe they just have an off album now and then, or an off year… decade, whatever.

I guess this concludes my review of the new album, without touching the new album. I leave you with an observation I made a number of years ago, but since then the pattern has continued to the point that I can only assume that they are doing it on purpose, though I can not imagine why:

Boy
October *song title*
War
The Unforgettable Fire *song title*
The Joshua Tree
Rattle and Hum *song lyric (Bullet the Blue Sky)*
Achtung Baby
Zooropa *song title*
Pop
All That You Can’t Leave Behind *song lyric (Walk On)*
How to Dismantle an Atomic Bomb
No Line on the Horizon *song title*

Some months back I decided that I absolutely despise 80′s music, and was so bold as to further assert that if I had my way, I would erase all of 80′s pop culture from history, saving only Calvin and Hobbes.

“What about U2?” I was asked.
“Eh, screw ‘em.”
“But wait, if you get to save Calvin and Hobbes…”
If you are rushing into a burning building, I reasoned, and you can only save one thing… that’s my one thing I am saving from the 80′s.

Now in truth, I was not talking about U2, Queen, Tom Petty… or really any band with a multi-decade career that happened to include the 1980′s. What I can not stand is the 80′s pop one-hit-wonder types; the kind of thing that they play on “flashback” specials, “awesome 80′s” collections, “80′s night” or what have you. The kind of thing that people enjoy for nostalgia value, or like specifically because it is so cheesy… really for any reason other than because it is actually any GOOD.

I put quite a lot of thought into this because it was irritating me so. I realized that 80′s songs weren’t really ABOUT anything, or more specifically, they were about something silly and/or some bizarre analogy for sex. (With quite a few songs specifically about partying/dancing/playing music/having a song on the radio/etc.)

The 00′s has not been such a great decade either when you get down to it. It seems like everything is “over-produced” this or “a cheap imitation of” that. Even my favorite bands from the past are disappointing. Radiohead has transcended the need to make music to which people can relate; I hear that Robert Smith, Simon Gallup, Porl Thompson and some drummer are now in a mediocre “The Cure” cover band. And U2… [sigh].

Last year, despite (or perhaps due to) my profound lack of productivity in other areas, I actually had quite a number of ideas on the music front. At one point I thought of an album title that was so good, it really made me wish that I actually had some songs to put on it. Well, how many songs do you have? I dunno, four or five I guess, if I finish everything that I have been working on. Really, everything? The question was, “How many songs do you have?” Oh… like 30-40… but I was talking about recent stuff.

I came up with a new song in the middle of my “Scarecrow” sessions a few years back. It served as a nice bridge between my older guitar work and my more recent computer based stuff. It even had lyrics based upon a few of my then-recent blog posts, but I never quite managed to “bring it home.”

I put a lot of effort into adapting a certain other song, which I felt that if I ever performed was sure to get me sued, fired or excommunicated depending on the context. It is that good.

I wrote another song with some challenging [for me at least] strumming patterns, and unusual [...for me] chord progressions – including one chord that I just plain made up. I can not even play each piece of the song consistently, let alone string them together. I had a concept in mind for the lyrics but had trouble coming up with specifics. In one verse I merely stated, “Je ne sais rien/Je ne comprends pas” while jamming one time, and decided to keep that for lack of anything better. I have the sinking fear that this song really sucks, even if I could put it all together. That is particularly distressing, because the subject of the song is such that it is very important for this NOT to suck.

I started another song and only got one verse and a chorus before hitting a wall. This one seemed to want to be in a Dean Martin/Frank Sinatra sort of style… a genre about which I know almost nothing. I do not know the structure of such songs, and more importantly, even if I did finish writing it, I would likely need to find someone else to sing it, because there is no way I am capable of “crooning” this baby. It was a good start, but I do not know if it will ever get finished. The particular state of mind I was in at the time has passed and I do not know if I could recapture that mood.

It was while working on that last one that I finally had to ask myself, “Man, what are you doing? Why don’t you stop this nonsense and try to remember how to play ‘Last Night I Slept in the Garden’?” So I returned for a time to my older songs. It was a strange sensation; in trying to remember songs that I had not played in years, which now seemed so foreign to me, I found myself asking, “Did I really write this? I don’t remember writing this.” Then it came to me: You didn’t write those songs… *I* did. Oh. Well that is not exactly good news is it?

I had another new song as well. It started off well enough: I was trying something different by fretting with my RIGHT hand while hammering/plucking with the left. Although that part was rather innovative, in trying to flesh out the rest of the song I kept thinking that I have done something like this before musically, or that I had used that same lyrical pattern in the past – I had to change one line specifically because I had definitely done that kind of wordplay before. It just did not seem that there was anything “new” about this song. Then it hit me: 80′s music had no substance, the 00′s have no teeth… but kids, this is how we did things in the 90′s. (You know… more or less.)

Let’s take a break and focus on something else for a change, shall we?

“Window in the Skies” was one of two new songs on U2′s career-spanning (and curiously-chosen) singles collection a couple of years back. From things I have read here and there online, I gather that a lot of U2 fans do not particularly care for it, but at the time it came out, I felt that it was very appropriate for what I was going through. (I meant to blog about it at the time, but no one ever reminded me!) Especially after a couple of sub-par albums, I was finally content to say, “Okay U2, this one is actually good… so if you just STOP NOW then all will be forgiven.” [Hold on, I'm just getting word...] Oh. Nevermind. Anyway, there are two different videos for this song, both of which seem like they must have been mind-blowingly difficult to create, but I happen to favor this one. I was able to download it from the official website when it first came out, and have never been able to watch it just one time through. How did it not take years to put this together?

I used to read an awful lot of webcomics, and though I have tapered that off, there are still a handful that I keep up with. They all have their unique charms and are entertaining in various ways, but none of them make me exclaim, “I love Kate Beaton!” quite like katebeaton.com. (Although that site seems to have a lot of technical difficulties and I find it easier to go here.) The art work appears simple, yet the characters convey emotion quite well. I must warn that the comics occasionally contain language and “adult situations” so are probably not for everyone, but her unique perspective on historical figures (most of whom I have either never heard of or know almost nothing about… so it’s educational!) is definitely worth the price of admission. Especially this one.

Speaking of webcomics, this one panel happens to be from a side project of another comic I enjoy. Some of you know that I take my humor very seriously, so it is no small endorsement that I say, without exaggeration, that this is the single funniest thing that I have ever seen.

Back on the music side of things, Sigur Rós is an experimental band from Iceland that sings songs in a made-up language. Okay. They also happen to make cinematic masterpieces for music videos.

This dude actually quit his job to dance around the world. With the popularity of his first video, he got corporate sponsorship to make more.

And what’s this? A new Purple Robe song? Okay, it’s not that new… It was just sitting in a pile of stuff on my computer that all needs a little something-something to be finished. But hey, it’s new to you. I put together this song after watching the above Sigur Rós video as an experiment to try to capture an entirely different sentiment than my music usually conveys.